Psychology of Music · 2012 · 17 citations · 39 references
HumanitiesMusicologySocial PsychologyGenre StudiesMusic PsychologyMusic SociologyMusic AudiencesMusic PerceptionMusical GenresMusical MeaningPopular MusicSocial Psychology Of MusicConcept SchemasCross-cultural Music AudiencesCross-cultural Music PerceptionCultural Contexts Of MusicCultural Meaning In MusicEthnicity In Music SubculturesExtra-musical MeaningPopular Music Genres
This causal comparative study examined the consistency with which listeners from two cultures (Germany and the USA) associate extra musical concepts with four popular music genres (German folksy, country, punk, and hip-hop). The results showed that for internationally recognized genres (country, punk and hip-hop), the two countries made similar association patterns for all eight concepts measured (ethnicity, rural vs. urban culture, age, trustworthiness, expertise, attractiveness, friendliness, and political ideology). The study also revealed instances where the countries differed, such as hip-hop’s association with ethnicity and most of the German folksy associations. The results are discussed in light of models of musical meaning. Furthermore, an integration of societal-level and individual-level theories predicts these similarities and differences. The theories include massification, glocalization, and cognitive schemas.
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Variations in Value Orientations.
Morris Rosenberg, Florence Rockwood Kluckhohn, Fred L. Strodtbeck et al. · American Sociological Review · 1961 · 2.8K citations
Variations in Value Orientations
Morris E. Opler, Florence Rockwood Kluckhohn, Fred L. Strodtbeck · Ethnohistory · 1961 · 1.5K citations