HumanitiesFilm StudiesCinematographyDigital ImagingDigital TransformationDigital CinematographyDigital Image ProcessingImage EditingVisual EffectsCamerasDigital Image ManipulationFilm CamerasPicture EditingSpecial Effects Design
The Hollywood industry’s shift from film to digital replaces one medium with another, yet it may fundamentally alter cinema. Digital cameras and nonlinear editing systems enable effortless capture and retroactive manipulation, while a wide range of special effects allow frame‑by‑frame modification, giving filmmakers unprecedented pixel‑level control. Digital filmmaking opens avenues for visual and narrative innovations.
For the Hollywood industry, the move from film to digital merely involves the replacement of one medium by another. However, this technological shift potentially changes cinema as we know it. Not only do digital cameras allow for an unprecedented ease in capturing content, but digital nonlinear editing systems make it possible to manipulate the footage retroactively. A vast array of special effects can transform the nature of the image in that each frame can be individually modified. The ability to master every pixel undoubtedly seduces filmmakers to exert absolute and perfectionist control. Yet digital filmmaking also opens up avenues for visual and narrative innovations.
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True Lies: Perceptual Realism, Digital Images, and Film Theory
Stephen Prince · Film Quarterly · 1996 · 228 citations · Full text
True Lies: Perceptual Realism, Digital Images, and Film Theory
Stephen Prince · Film Quarterly · 1996 · 131 citations · Full text
Visuality and Power: The Work of the Steadicam
Jean‐Pierre Geuens · Film Quarterly · 1993 · 17 citations