2002 · 55 citations · 4 references
HumanitiesMusicologyMusic AestheticsMusic PsychologySensory NeuroscienceAesthetic Response To MusicHapticsInteractive Music SystemsMusic PerceptionMusic TechnologyMusical ExperienceAesthetic Composition AnalysisCompositional CreativityCompositional FormElectronic Music Instrument DesignHaptic Music InterfacesSensory SubstitutionTactile ExperienceTactile Sensation
This paper presents a novel coupling of haptics technology and music, introducing the notion of tactile composition or aesthetic composition for the sense of touch. A system that facilitates the composition and perception of intricate, musically structured spatio-temporal patterns of vibration on the surface of the body is described. An initial test of the system in a performance context is discussed. The fundamental building blocks of a compositional language for touch are considered.
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The Cutaneous "Rabbit": A Perceptual Illusion
Frank A. Geldard, Carl E. Sherrick · Science · 1972 · 509 citations
Some Neglected Possibilities of Communication
Frank A. Geldard · Science · 1960 · 248 citations