Semiotica · 2005 · 228 citations · 18 references
HumanitiesMusicologyPerformance StudiesMusic AestheticsMusic PsychologyMusic SociologyMusic AudiencesMusic EmotionMusic PerceptionMusic Performance EthnographyMusical ExperienceMusical InterpretationAesthetic Judgments Of MusicAesthetic ListeningAffective Aesthetics Of MusicAudience Interpretation Of MusicCognitive Aesthetics Of MusicDeployment StrategiesMusical Performance EthnographyTechnological Innovation Systems
Visual aspects of music shape communication between performers and listeners, as examined through ethnographic, empirical, and historical perspectives. The study introduces a framework for understanding how media and genres shape aural and visual experiences of music. The authors present case studies of two performances, describing how visual and aural aspects interact. Empirical evidence shows that visual aspects reliably influence perceptions of musical structure and affective interpretations, and the study traces how media trajectories intertwine music perception with technological innovation.
Drawing from ethnographic, empirical, and historical / cultural perspectives, we examine the extent to which visual aspects of music contribute to the communication that takes place between performers and their listeners. First, we introduce a framework for understanding how media and genres shape aural and visual experiences of music. Second, we present case studies of two performances, and describe the relation between visual and aural aspects of performance. Third, we report empirical evidence that visual aspects of performance reliably influence perceptions of musical structure (pitch related features) and affective interpretations of music. Finally, we trace new and old media trajectories of aural and visual dimensions of music, and highlight how our conceptions, perceptions and appreciation of music are intertwined with technological innovation and media deployment strategies.
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