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Mental health and arts participation: the state of the art in England
108
Citations
3
References
2006
Year
DisabilityMental HealthSocial InclusionVisual ArtsSocial WorkCultural PolicyArts ParticipationParticipatory ArtArts PolicyTheatreCommunity EngagementArt PolicyRehabilitationArts Public PolicyMental Health NeedsCommunity Mental HealthArtsMedicineArts-based Research
Evidence linking arts participation to mental health benefits for people with mental health needs is currently weak. The study aims to map arts participation for people with mental health needs, identify evaluation indicators, develop outcome measures, and ultimately assess effective project characteristics. A survey of 16‑to‑65‑year‑old participants in England’s participatory arts projects mapped activity scope and evaluation practices, informing the development of a new outcome measure for a subsequent realistic evaluation phase. Arts participation projects for people with mental health needs are diverse in setting and art form, but operate with limited funding and staffing, and use limited but creative evaluation methods.
Although participation in arts activity is believed to have important mental health and social benefits for people with mental health needs, the evidence base is currently weak. This article reports the first phase of a study intended to support the development of stronger evidence. Objectives for the first phase were to map current participatory arts activity, to identify appropriate indicators and to develop measures for use in the second phase of the research. A survey of participatory arts projects for people with mental health needs aged 16 to 65 in England, identified via the Internet and relevant organizations, was carried out to map the scale and scope of activity and to establish the nature of current approaches to evaluation. The results indicate that the scope of activity, in terms of projects' settings, referral sources, art forms and participation is impressively wide. In terms of scale, however, projects reported low funding and staffing levels that may have implications for the feasibility of routine evaluation in this field. Current approaches to evaluation were limited, but entailed considerable effort and ingenuity, suggesting that projects are keen to demonstrate their benefits. The survey has enabled us to build on the best evaluation practice identified to develop a measure for assessing the mental health, social inclusion and empowerment outcomes of arts participation for people with mental health needs. For the second phase of the study we will work with arts and mental health projects, using the measure alongside qualitative work in a realistic evaluation design, in order to identify the characteristics of effective projects.
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