The perception of melodies distorted by splitting into several octaves: Effects of increasing proximity and melodic contour

Pitch, consonance, and harmony

Ernst Terhardt · The Journal of the Acoustical Society of America · 1974 · 714 citations

Humanities, Musicology, Acoustics +16

Temporal coherence in the perception of tone sequences

L.P.A.S. van Noorden · TU/e Repository · 1975 · 711 citations · Full text

Language Studies, Neuroscience, Psychology +14

Primary auditory stream segregation and perception of order in rapid sequences of tones.

Albert S. Bregman, Jeffrey R. Campbell · Journal of Experimental Psychology · 1971 · 624 citations

Health Professions, Audiology, Psychology +8

Contour, Interval, and Pitch Recognition in Memory for Melodies

W. J. Dowling, Diane S. Fujitani · The Journal of the Acoustical Society of America · 1971 · 357 citations

Humanities, Musicology, Psychology +17

Pitch as a Medium: A New Approach to Psychophysical Scaling

Fred Attneave, Richard K. Olson · The American Journal of Psychology · 1971 · 346 citations

Humanities, Musicology, Psychology +15