New Theatre Quarterly · 2005 · 27 citations · 4 references
ArtsPerforming ArtsChoreographyDance-theatrePerformance PracticeDance AnthropologyDance DramaturgyDance EthnographyDance ImprovisationSite-specific ChoreographyAgency Creative ProcessCreative Process In DanceEmbodiment In DanceLiveness In ImprovisationPerformative Identity In DanceSite-aware Improvisation
In this article, Victoria Hunter explores the concept of the ‘here and now’ in the creation of site-specific dance performance, in response to Doreen Massey's questioning of the fixity of the concept of the ‘here and now’ during the recent RESCEN seminar on ‘Making Space’, in which she challenged the concept of a singular fixed ‘present’, suggesting instead that we exist in a constant production of ‘here and nows’ akin to ‘being in the moment’. Here the concept is applied to an analysis of the author's recent performance work created as part of a PhD investigation into the relationship between the site and the creative process in site-specific dance performance. In this context the notion of the ‘here and now’ is discussed in relation to the concept of dance embodiment informed by the site and the genius loci , or ‘spirit of place’. Victoria Hunter is a Lecturer in Dance at the University of Leeds, who is currently researching a PhD in site-specific dance performance.
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Richard Alden, Kent Bloomer, Charles W. Moore · Journal of Aesthetics and Art Criticism · 1978 · 135 citations
Dance and the Lived Body: A Descriptive Aesthetics
Drew A. Hyland · Journal of the Philosophy of Sport · 1987 · 115 citations