2012 · 36 citations · 26 references
HumanitiesMusicologyEthnographyMusic SociologyPerformance EthnographyCollaborative CompositionCollaborative MusicianshipMusic Performance EthnographyMusic TechnologyMusical Identity FormationParticipatory Music-makingCollaborative Knowledge WorkCollaborative Props WorkCollaborative WorkMoral OrderMusical ParticipationMusical Performance EthnographyMusical PracticeSituated Participation
Irish pub music sessions rely on collaborative sequencing of tunes into sets, guided by shared repertoire knowledge and social etiquette, highlighting the need for CSCW tools that support this situated discretion. The study aims to articulate requirements for technologies that bridge online resources with the collaborative sequencing of tunes during performance. We approach this by discussing the requirements for technologies that integrate online resources with real‑time collaborative tune sequencing. Our findings show that musicians use digital resources and social networks to develop musical knowledge, and employ paper props to apply that knowledge during sessions, thereby preserving the traditional moral order.
An ethnographic study of Irish music sessions in pubs elaborates the collaborative work involved in making traditional music. Central to this distinctive achievement is the sequencing of tunes so that they hang together and combine to form discrete "sets", which rely on a shared knowledge of musical repertoires. Our study shows how musicians develop this musical knowledge through the use of digital resources and social networks. It also reveals how musicians construct and make use of various paper props to help bring their knowledge to bear in the actual in vivo course of a session so as to maintain the moral order of making music together in a demonstrably traditional way. The social demands of musical "etiquette" sensitise CSCW to the need to design technologies to support the "situated discretion" that is essential to traditional practices. We elaborate this notion through a discussion of requirements for technologies that bridge between online resources and the collaborative sequencing of tunes during performance.
26
Anthony F. C. Wallace, Harold Garfinkel · American Sociological Review · 1968 · 12.6K citations
Sergi Jordà, Günter Geiger, Marcos Alonso et al. · 2007 · 605 citations
Andrea Grimes, Richard Harper · 2008 · 284 citations
Arts, Design, Digital Design +9
William Gaver, Mark Blythe, Andy Boucher et al. · 2010 · 204 citations
Arts, Design, Religious Studies +10