Representing Blackness in the White Imagination: Images of ‘Happy Darkeys’ in Popular Culture, 1893–1917

Abstract

This paper is a study of American postcards which represent African Americans as “happy Darkeys.” 1 suggest that the oppressive visual metaphor of other‐as‐child positioned black subjects in a racist regime of representation which constructed subjectivities for those depicted and identities for their viewers. I then describe the distinguishing characteristics of these images, analyze the meanings they convey, and the social uses that they serve.