PLoS ONE · 2014 · 256 citations · 43 references
Affective DesignVisual Art PracticeVisual ArtsSocial SciencesViewing TimeLanguage StudiesUser PerceptionArt EmergesMobile EyeCognitive ScienceArt HistoryArt ExperienceUser ExperienceInteractive ArtExperience Sampling MethodVisual CultureContemporary ArtVisual StudiesExperimental AestheticArtsEmotionArts-based ResearchTime Perception
The experience of art arises from interacting cognitive and affective processes, yet how these unfold over time and relate to viewing behavior is poorly understood. The study examined how context influences the relationship between art experience and viewing time. Participants viewed an exhibition either in a museum or a laboratory while eye‑tracking recorded viewing time, followed by ratings of liking, interest, understanding, and ambiguity. Museum visitors liked, found more interesting, and spent more time on artworks; aesthetic appreciation and ambiguity predicted viewing time, but their effects differed by context, with appreciation better predicting time in the lab and ambiguity positively linked to time in the museum and negatively in the lab.
The experience of art emerges from the interaction of various cognitive and affective processes. The unfolding of these processes in time and their relation with viewing behavior, however, is still poorly understood. Here we examined the effect of context on the relation between the experience of art and viewing time, the most basic indicator of viewing behavior. Two groups of participants viewed an art exhibition in one of two contexts: one in the museum, the other in the laboratory. In both cases viewing time was recorded with a mobile eye tracking system. After freely viewing the exhibition, participants rated each artwork on liking, interest, understanding, and ambiguity scales. Our results show that participants in the museum context liked artworks more, found them more interesting, and viewed them longer than those in the laboratory. Analyses with mixed effects models revealed that aesthetic appreciation (compounding liking and interest), understanding, and ambiguity predicted viewing time for artworks and for their corresponding labels. The effect of aesthetic appreciation and ambiguity on viewing time was modulated by context: Whereas art appreciation tended to predict viewing time better in the laboratory than in museum context, the relation between ambiguity and viewing time was positive in the museum and negative in the laboratory context. Our results suggest that art museums foster an enduring and focused aesthetic experience and demonstrate that context modulates the relation between art experience and viewing behavior.
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