Publication | Closed Access
Peripheral Modernities: National and Global in a Post‐Colonial Frame
13
Citations
26
References
2007
Year
Historical GeographyLiterary TheoryNationalismColonialismDecolonialityIrish Cinema. ”Contemporary CultureCultural TheoryGlobal StudiesArt TheorySettler ColonialismArt CriticismLiterary CriticismRadical AestheticCultural HistoryLanguage StudiesIrish CultureIntellectual HistoryGeopoliticsTransnational HistoryArt HistoryLiterary StudyArtsPeripheral ModernitiesImage Size NotesScenographyVisual CultureLiterary HistoryColonial StudiesModernity
Click to increase image sizeClick to decrease image size Notes [1] For the early emergence of such transatlantic solidarities, see Linebaugh and Rediker. [2] Thomson, a renowned Marxist scholar of Classical antiquity and friend of Wittgenstein, came to the Blasket Islands in the 1920s to learn Irish and immerse himself in a “pre‐modern” oral culture. [3] See Cullingford. [4] See Lennon, and Trautmann (93–97). [5] See Cook; Hutton; and Lennon. [6] See Trumpener, and Ferris. [7] See Cahalan. [8] See Trumpener (132–33). I have developed these ideas further in Transformations in Irish Culture (especially Chapters 1, 11–13), and in “Romanticism, Realism and Irish Cinema.” [9] Homology here may be seen as the forms and structures appropriate to the negotiation of the sundered worlds of modernity, some subject to more drastic upheavals than others. [10] For the context to James’s analysis, see Nielsen (19–30). [11] See Linebaugh, and Belcham.
| Year | Citations | |
|---|---|---|
Page 1
Page 1