2006 · 12 citations · 3 references
HumanitiesAudiologyPsychologyHearing ScienceMusic PsychologyPsychoacousticsEmotion PerceptionEmotion RecognitionHearing ImpairmentMusic EmotionMusic PerceptionMusic Performance PsychologyEmotion Expression In MusicEmotion Induction By MusicEmotion Recognition For PerformanceEmotionsMusic Perception Through Visual Cues
We conducted an experiment to determine the abilities of hearing-impaired and normal-hearing people to recognize intended emotions conveyed in four types of stimuli: a drum performance, a drum performance accompanied by a drawing expressing the same intended emotion, and a drum performance accompanied by one of two types of motion pictures. The recognition rate was the highest for a drum performance accompanied by a drawing even though participants in both groups found it difficult to identify the intended emotion because they felt the two stimuli sometimes conveyed different emotions. Visual stimuli were especially effective for performances whose intended emotions were not clear by themselves. The difference in ability to recognize intended emotions between the hearing-impaired and normal-hearing participants was insignificant. The results of this and a series of experiments will enable us to better understand the similarities and differences between how people with different hearing abilities encode and decode emotions in and from sound and visual media. We should then be able to develop a system that will enable hearing-impaired and normal-hearing people to play music together.
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Music and emotion: theory and research
Choice Reviews Online · 2002 · 1.3K citations
Humanities, Musicology, Psychology +12
Emotional Coloring of Computer-Controlled Music Performances
Roberto Bresin, Anders Friberg · Computer Music Journal · 2000 · 166 citations · Full text