Quarterly Journal of Experimental Psychology · 2007 · 41 citations · 18 references
Social SciencesBehavioral SciencesPsychologyMemorySocial CognitionVisual PerceptionFace PerceptionFace RecognitionFacial ExpressionFacial PerceptionMotion PerceptionPerceptual LearningFace FamiliarityFace Recognition TrainingFace RepresentationFace Representation LearningFacial CuesStatic Face PerceptionStatic ImagesTelevision Drama
Previous research has shown that it is easier to recognize familiar faces when shown moving, rather than static, especially when viewing conditions are difficult (Knight & Johnston, 1997; Lander, Christie, & Bruce, 1999). One possible theoretical reason for the moving-face advantage is that we learn "characteristic motion signatures" for familiar faces, associated with the face representation in memory. To examine this idea we investigated the role of motion at test when learning faces from either static images or moving sequences (Experiment 1). Results suggest that there is only an advantage for motion at test when the face is learned moving. In Experiment 2 we map the importance of facial motion as a face becomes increasingly familiar, on a television drama. We demonstrate that the beneficial effect of motion is not dependent on the amount of time the face is viewed. Results from both experiments support the idea of rapidly learned characteristic motion patterns.
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The Interpretation of Visual Motion
Peter J. Burt, Shimon Ullman · The American Journal of Psychology · 1980 · 1.8K citations
The Role of Movement in Face Recognition
Barbara Knight, Alan Johnston · Visual Cognition · 1997 · 239 citations
The role of movement in the recognition of famous faces
Karen Lander, Fiona Christie, Vicki Bruce · Memory & Cognition · 1999 · 226 citations