Journal of Aesthetics and Art Criticism · 1998 · 600 citations · 0 references
HumanitiesArt HistoryHistoryContemporary ArtModern ArtPaintingArt CriticismModern PaintingModernismVisual ArtsAesthetic ModernityContemporary Art CriticismHistoriography Of ArtMaster NarrativesModern AestheticsModern Art CriticismMonochrome PaintingPainting History
List of Illustrations ix Foreword to the Princeton Classics Edition xi Preface xvii Acknowledgments xxi CHAPTER ONE Introduction: Modern, Postmodern, and Contemporary 3 CHAPTER TWO Three Decades after the End of Art 21 CHAPTER THREE Master Narratives and Critical Principles 41 CHAPTER FOUR Modernism and the Critique of Pure Art: The Historical Vision of Clement Greenberg 61 CHAPTER FIVE From Aesthetics to Art Criticism 81 CHAPTER SIX Painting and the Pale of History: The Passing of the Pure 101 CHAPTER SEVEN Pop Art and Past Futures 117 CHAPTER EIGHT Painting, Politics, and Post-Hisotrical Art 135 CHAPTER NINE The Historical Museum of Monochrome Art 153 CHAPTER TEN Museums and the Thirsting Millions 175 CHAPTER ELEVEN Modalities of History: Possibility and Comedy 193 Index 221