Angola and Kenya Pavilions in the 2013 Venice Biennale: African Contemporary Art and Cultural Diplomacy in the “Olympics of Art”

Isabelle A. Zaugg, Emi K. Nishimura

The Journal of Arts Management Law and Society · 2015 · 24 citations · 2 references

Concepts

Abstract

A record six African states were awarded a national pavilion at the 2013 Venice Biennale, the premier venue for showcasing a nation's contemporary art, from which Africa has historically been excluded. While first-time participant Angola won the top prize, Kenya's pavilion was the target of bafflement and ire. Using a cultural diplomacy framework that integrates the insights of leading scholars, this research makes concrete recommendations for practitioners vis-à-vis a comparative case study of the two pavilions. Analysis and recommendations consider the interests of a variety of stakeholders and offer insights relevant to Africa and other emerging regions.

References

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