2004 · 30 citations · 9 references
ArtsFilm StudiesPerforming ArtsCinematographyImprovisationInteractive MediaImprovisational PerformanceLive Video PerformanceTangible User InterfacesDigital Instrument DesignExpressive Performance InterfacesHaptic Display DesignHaptic Display SystemsImprovisational Media PerformanceLive EditingPerformative InterfacesPerformer Interaction
This paper describes the design of an expressive tangible interface for cinema editing as a live performance. A short survey of live video practices is provided. The Live Cinema instrument is a cross between a musical instrument and a film editing tool, tailored for improvisational control as well as performance presence. Design specifications for the instrument evolved based on several types of observations including: our own performances in which we used a prototype based on available tools; an analysis of performative aspects of contemporary DJ equipment; and an evaluation of organizational aspects of several generations of film editing tools. Our instrument presents the performer with a large canvas where projected images can be grabbed and moved around with both hands simultaneously; the performer also has access to two video drums featuring haptic display to manipulate the shots and cut between streams. The paper ends with a discussion of issues related to the tensions between narrative structure and hands-on control, live and recorded arts and the scoring of improvised films.
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Film Language: A Semiotics of the Cinema.
George M. Wilson, Christian Metz · MLN · 1974 · 614 citations
Two-handed input in a compound task
Paul Kabbash, William Buxton, Abigail Sellen · 1994 · 222 citations
Audiopad: A Tag-Based Interface For Musical Performance
James Patten, Ben Recht, Hiroshi Ishii · 2002 · 163 citations · Full text
Haptic techniques for media control
Scott S. Snibbe, Karon E. MacLean, R. William Shaw et al. · 2001 · 75 citations