The Ones That Are Wanted: Communication and the Politics of Representation in a Photographic Exhibition

Abstract

Acknowledgments Prologue: From Exhibition to Book Okiek Portraits: The Exhibition Okiek Portraits: A Kenyan People Look at Themselves Exploring the Exhibition 1. Tracing Okiek Portraits: Images, Exhibitions, and the Politics of Representation 2. Producing Okiek Portraits: Collaboration, Negotiation, and Exhibitionary Authority 3. Imagining Audiences: Okiek Portraits in Kenya 4. Imagining Audiences: Okiek Portraits in the United States 5. The Final Venues: Designing and Defining Interpretation Appendix A: The Politics of Representation and Identities Appendix B: Key Relationships Represented in Okiek Portraits Appendix C: Learning about Visitors in Michigan and Georgia Notes Bibliography Index