Vocal Performativity
Vocal Performativity is a theoretical construct in queer voice studies that denotes the iterative, embodied, and socially situated enactment of gendered and sexual identities through vocal behaviors, distinguishing itself from mere vocal expression by emphasizing the citational and performative mechanisms through which vocal identity is constituted within sociolinguistic and affective registers.
55
Publications
2.2K
Citations
83
Authors
46
Institutions
Publications per year
2017–2026
14
Parents
55
Amanda Weidman · Annual Review of Anthropology · 2014 · 246 citations
Real Men Don't Sing: Crooning in American Culture
Journal of American History · 2016 · 129 citations
1–5 of 55
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1 publications · 13 citations
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46
University of Sussex
Brighton, United Kingdom
2 h-index
5 publications
289 citations
University of Winchester
Winchester, United Kingdom
1 h-index
1 publications
38 citations
University of Bergen
Bergen, Norway
1 h-index
1 publications
15 citations
Virginia Commonwealth University
Richmond, United States
1 h-index
1 publications
86 citations

Tel Aviv University
Tel Aviv, Israel
1 h-index
3 publications
42 citations

Bryn Mawr College
Bryn Mawr, United States
1 h-index
1 publications
246 citations
University of Sheffield
Sheffield, United Kingdom
1 h-index
2 publications
112 citations

Bar-Ilan University
Ramat Gan, Israel
1 h-index
3 publications
42 citations
1–8 of 46
6 publications · 320 citations
6
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CRO · 3 publications · 92 citations
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1 publications · 28 citations
1
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Repository · 1 publications · 12 citations
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1 publications · 21 citations
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