Concepedia

Timbral Categorization

Timbral Categorization is the cognitive process by which listeners group complex auditory stimuli into discrete perceptual classes based on shared spectrotemporal features that distinguish timbres independent of pitch, loudness, or duration.

23

Publications

1.4K

Citations

54

Authors

34

Institutions

Publications per year

2017–2026

5

Parents

Publications

23

Perceptual scaling of synthesized musical timbres: Common dimensions, specificities, and latent subject classes

Stephen McAdams, Suzanne Winsberg, Sophie Donnadieu et al. · Psychological Research · 1995 · 595 citations

, , +17

Automatic Classification of Musical Instrument Sounds

Perfecto Herrera, Geoffroy Peeters, Shlomo Dubnov · Journal of New Music Research · 2003 · 177 citations

, , +16

Exploring Perceptual and Acoustical Correlates of Polyphonic Timbre

Vinoo Alluri, Petri Toiviainen · Music Perception An Interdisciplinary Journal · 2010 · 124 citations

, , +17

Perceptual and Acoustical Features of Natural and Synthetic Orchestral Instrument Tones

Roger A. Kendall, Edward C. Carterette, John M. Hajda · Music Perception An Interdisciplinary Journal · 1999 · 59 citations

, , +16

Pre-attentive categorization of sounds by timbre as revealed by event-related potentials

Mari Tervaniemi, István Winkler, Risto Näätänen · Neuroreport · 1997 · 47 citations

, , +17

1–5 of 23

Authors

54

  1. SM
    Stephen McAdams

    McGill University, Canada

    2 publications · 612 citations

    2

    h-index

  2. CC
    Chuck-jee Chau

    Hong Kong University of Science and Technology, Hong Kong SAR China

    2 publications · 34 citations

    2

    h-index

  3. AC
    Alastair C. Disley

    University of York, United Kingdom

    2 publications · 50 citations

    2

    h-index

  4. DM
    David M. Howard

    University of York, United Kingdom

    2 publications · 50 citations

    2

    h-index

  5. AH
    Andrew Horner

    Hong Kong University of Science and Technology, Hong Kong SAR China

    2 publications · 34 citations

    2

    h-index

1–5 of 54

Institutions

34

  1. Aix-Marseille Université

    Marseille, France

    2 h-index

    2 publications

    44 citations

  2. University of York

    York, United Kingdom

    2 h-index

    2 publications

    50 citations

  3. Institut de Recherche et Coordination Acoustique Musique

    Paris, France

    2 h-index

    4 publications

    2K citations

  4. NTT (Japan)

    Tokyo, Japan

    1 h-index

    1 publications

    14 citations

  5. University of Tennessee at Knoxville

    Knoxville, United States

    1 h-index

    1 publications

    11 citations

  6. École Pratique des Hautes Études

    Paris, France

    1 h-index

    1 publications

    595 citations

  7. University of Piraeus

    Piraeus, Greece

    1 h-index

    2 publications

    66 citations

  8. University of Gdańsk

    Gdansk, Poland

    1 h-index

    1 publications

    12 citations

1–8 of 34

Venues

  1. Music Perception An Interdisciplinary Journal

    3 publications · 212 citations

    3

    h-index

  2. Journal of the Audio Engineering Society

    AES · 2 publications · 34 citations

    2

    h-index

  3. The Journal of the Acoustical Society of America

    JASA · 2 publications · 29 citations

    2

    h-index

  4. 1

    h-index

  5. Journal of New Music Research

    1 publications · 177 citations

    1

    h-index

1–5