Spectator Positioning

Spectator Positioning is a theoretical construct within film reception studies that specifies the ideologically structured relationship between the viewer and the cinematic text, distinguishing itself by determining how narrative, visual, and auditory cues situate the audience within particular positions of identification, perception, and interpretation relative to the film’s ideological and symbolic framework.

42

Publications

3.1K

Citations

47

Authors

15

Institutions

Publications per year

2017–2026

1

Authors

47

  1. MH
    Miriam Hansen

    Goethe University Frankfurt, Germany

    2 publications · 503 citations

    2

    h-index

  2. MN
    Makoto Nakazawa

    Tokyo Women's Medical University, Japan

    1 publications · 14 citations

    1

    h-index

  3. JD
    James Der Derian

    University of Massachusetts Amherst, United States

    1 publications · 34 citations

    1

    h-index

  4. VH
    Vinzenz Hediger

    Université Paris Nanterre, France

    1 publications · 26 citations

    1

    h-index

  5. ML
    Melissa Lang

    Creighton University, United States

    1 publications · 14 citations

    1

    h-index

1–5 of 47

Venues

  1. Choice Reviews Online

    CRO · 12 publications · 1.8K citations

    12

    h-index

  2. Cinema Journal

    5 publications · 129 citations

    5

    h-index

  3. Journal of Sport and Social Issues

    JSSI · 1 publications · 13 citations

    1

    h-index

  4. Critical Studies in Media Communication

    CSMC · 1 publications · 45 citations

    1

    h-index

  5. Modern & Contemporary France

    1 publications · 19 citations

    1

    h-index

1–5