Sonic Materiality
Sonic Materiality is a theoretical construct within sound aesthetics and sound sculpture that designates the tangible, spatial, and experiential presence of sound as a physical and perceptual phenomenon, distinguishing it from purely abstract or symbolic auditory representations.
83
Publications
4.4K
Citations
85
Authors
61
Institutions
Publications per year
2017–2026
34
83
Sonic warfare: sound, affect, and the ecology of fear
Choice Reviews Online · 2010 · 921 citations
Humanities, Musicology, Acoustics +15
Beyond Representation and Signification: Toward a Sonic Materialism
Christoph Cox · Journal of Visual Culture · 2011 · 270 citations
Humanities, Literature, Media Arts +15
The producer as composer: shaping the sounds of popular music
Choice Reviews Online · 2006 · 167 citations
Humanities, Musicology, Acoustics +11
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61
Georgia State University
Atlanta, United States
2 h-index
3 publications
184 citations

University of North Texas
Denton, United States
2 h-index
2 publications
62 citations
Boston College
Boston, United States
2 h-index
2 publications
42 citations
University of Sussex
Brighton, United Kingdom
2 h-index
3 publications
41 citations

University of Colorado Denver
Denver, United States
2 h-index
3 publications
184 citations
Columbia University
New York, United States
1 h-index
1 publications
96 citations

Hampshire College
Amherst Center, United States
1 h-index
1 publications
72 citations

University of Helsinki
Helsinki, Finland
1 h-index
1 publications
10 citations
1–8 of 61
6 publications · 187 citations
6
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CRO · 5 publications · 1.2K citations
5
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4 publications · 258 citations
4
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LMJ · 3 publications · 66 citations
3
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1 publications · 98 citations
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