Sonic Materiality

Sonic Materiality is a theoretical construct within sound aesthetics and sound sculpture that designates the tangible, spatial, and experiential presence of sound as a physical and perceptual phenomenon, distinguishing it from purely abstract or symbolic auditory representations.

83

Publications

4.4K

Citations

85

Authors

61

Institutions

Publications per year

2017–2026

34

Authors

85

  1. JM
    Jon M. Wargo

    Boston College, United States

    3 publications · 85 citations

    3

    h-index

  2. CC
    Christoph Cox

    Hampshire College, United States

    2 publications · 342 citations

    2

    h-index

  3. DK
    Damián Keller

    Universidade Federal do Acre, Brazil

    2 publications · 53 citations

    2

    h-index

  4. MA
    Miriam A. Kolar

    Amherst College, United States

    2 publications · 51 citations

    2

    h-index

  5. ME
    Mary E. Hocks

    Georgia State University, United States

    2 publications · 119 citations

    2

    h-index

1–5 of 85

Venues

  1. Organised Sound

    6 publications · 187 citations

    6

    h-index

  2. Choice Reviews Online

    CRO · 5 publications · 1.2K citations

    5

    h-index

  3. Sound Studies

    4 publications · 258 citations

    4

    h-index

  4. Leonardo Music Journal

    LMJ · 3 publications · 66 citations

    3

    h-index

  5. Social Text

    1 publications · 98 citations

    1

    h-index

1–5