Recording Criticism
Recording Criticism is a branch of music criticism that analyzes and evaluates sound recordings of musical performances in terms of their interpretive, technical, and production characteristics, as well as their aesthetic and historical significance, as distinct from criticism of live performance.
27
Publications
1.5K
Citations
38
Authors
17
Institutions
Publications per year
2017–2026
2
27
The poetics of rock: cutting tracks, making records
Choice Reviews Online · 2002 · 236 citations
Deadness: Technologies of the Intermundane
Jason Stanyek, Benjamin Piekut · TDR/The Drama Review · 2010 · 211 citations
1–5 of 27
38
2
h-index
Lucerne University of Applied Sciences and Arts, Switzerland
2 publications · 107 citations
2
h-index
2 publications · 35 citations
2
h-index
2
h-index
2 publications · 35 citations
2
h-index
1–5 of 38
17

School of Advanced Study
London, United Kingdom
2 h-index
2 publications
107 citations

Royal College of Music
London, United Kingdom
2 h-index
4 publications
214 citations
Laboratory for Biomedical Neurosciences
Lugano, Switzerland
2 h-index
2 publications
107 citations
University of Sheffield
Sheffield, United Kingdom
2 h-index
2 publications
107 citations
Lucerne University of Applied Sciences and Arts
Lucerne, Switzerland
2 h-index
4 publications
214 citations

University of London
London, United Kingdom
2 h-index
2 publications
107 citations
Oxford University Press (United Kingdom)
Oxford, United Kingdom
1 h-index
1 publications
211 citations

DePaul University
Chicago, United States
1 h-index
1 publications
52 citations
1–8 of 17
CRO · 5 publications · 388 citations
5
h-index
3 publications · 88 citations
3
h-index
2 publications · 107 citations
2
h-index
2 publications · 41 citations
2
h-index
SfL · 1 publications · 14 citations
1
h-index
1–5