Recording Criticism

Recording Criticism is a branch of music criticism that analyzes and evaluates sound recordings of musical performances in terms of their interpretive, technical, and production characteristics, as well as their aesthetic and historical significance, as distinct from criticism of live performance.

27

Publications

1.5K

Citations

38

Authors

17

Institutions

Publications per year

2017–2026

2

Authors

38

  1. VJ
    Victoria J. Williamson

    Goldsmiths University of London, United Kingdom

    2 publications · 107 citations

    2

    h-index

  2. EA
    Elena Alessandri

    Lucerne University of Applied Sciences and Arts, Switzerland

    2 publications · 107 citations

    2

    h-index

  3. JM
    John Mansfield Thomson

    2 publications · 35 citations

    2

    h-index

  4. AW
    Aaron Williamon

    Royal College of Music, United Kingdom

    2 publications · 107 citations

    2

    h-index

  5. AR
    Anthony Rowland-Jones

    2 publications · 35 citations

    2

    h-index

1–5 of 38

Venues

  1. Choice Reviews Online

    CRO · 5 publications · 388 citations

    5

    h-index

  2. Popular Music & Society

    3 publications · 88 citations

    3

    h-index

  3. Frontiers in Psychology

    2 publications · 107 citations

    2

    h-index

  4. Notes

    2 publications · 41 citations

    2

    h-index

  5. Support for Learning

    SfL · 1 publications · 14 citations

    1

    h-index

1–5