Raga Theory

Raga Theory is a musicological framework within the study of South Asian classical music that systematically organizes melodic structures, modes, and improvisational practices around the concept of the raga, distinguishing itself through its emphasis on prescribed ascending and descending note sequences, characteristic phrases, and emotional or temporal associations unique to each raga.

23

Publications

683

Citations

31

Authors

12

Institutions

Publications per year

2017–2026

6

Authors

31

  1. HS
    Harold S. Powers

    Princeton University, United States

    2 publications · 24 citations

    2

    h-index

  2. QW
    Qiang Wang

    China University of Petroleum, East China, China

    2 publications · 88 citations

    2

    h-index

  3. DR
    D. R. Widdess

    1 publications · 10 citations

    1

    h-index

  4. GT
    Gordon Thompson

    University of Alberta, Canada

    1 publications · 26 citations

    1

    h-index

  5. ST
    Shikha Tripathi

    Amrita Vishwa Vidyapeetham, India

    1 publications · 22 citations

    1

    h-index

1–5 of 31

Venues

  1. Choice Reviews Online

    CRO · 4 publications · 138 citations

    4

    h-index

  2. Ethnomusicology

    2 publications · 57 citations

    2

    h-index

  3. Procedia Computer Science

    1 publications · 165 citations

    1

    h-index

  4. Music Theory Online

    MTO · 1 publications · 18 citations

    1

    h-index

  5. Asian Music

    1 publications · 26 citations

    1

    h-index

1–5