Post-soviet Music

Post-Soviet Music is a genre of musical expression that emerged in the former Soviet republics after the dissolution of the USSR in 1991, distinguished by its synthesis of national musical identities, experimentation with Western styles, and response to the socio-political transformations of the post-Soviet era.

22

Publications

634

Citations

19

Authors

5

Institutions

Publications per year

2017–2026

2

Authors

19

  1. SM
    Simo Mikkonen

    University of Jyväskylä, Finland

    1 publications · 21 citations

    1

    h-index

  2. PF
    Pauline Fairclough

    University of Bristol, United Kingdom

    1 publications · 64 citations

    1

    h-index

  3. CB
    Catherine Baker

    University of Hull, United Kingdom

    1 publications · 24 citations

    1

    h-index

  4. TW
    Timothy W. Ryback

    1 publications · 62 citations

    1

    h-index

  5. MR
    Megan Rancier

    1 publications · 18 citations

    1

    h-index

1–5 of 19

Venues

  1. Choice Reviews Online

    CRO · 4 publications · 175 citations

    4

    h-index

  2. Journal of Musicology

    JM · 3 publications · 101 citations

    3

    h-index

  3. Popular Music & Society

    2 publications · 34 citations

    2

    h-index

  4. Journal of the American Musicological Society

    2 publications · 27 citations

    2

    h-index

  5. The Russian Review

    2 publications · 79 citations

    2

    h-index

1–5