Concepedia

Pitch-class Relations

Pitch-Class Relations is a theoretical construct in music theory that defines the systematic interrelationships among pitch classes within the twelve-tone equal-tempered chromatic scale, distinguished by its focus on atonal equivalence and transformational operations independent of octave displacement.

82

Publications

3.3K

Citations

82

Authors

27

Institutions

Publications per year

2017–2026

5

Parents

Publications

82

The Group-Theoretic Description of 12-Fold and Microtonal Pitch Systems

Gerald J. Balzano · Computer Music Journal · 1980 · 198 citations

, , +10

Measuring and Modeling Real-Time Responses to Music: The Dynamics of Tonality Induction

Petri Toiviainen, Carol L. Krumhansl · Perception · 2003 · 150 citations

, , +16

A Formal Theory of Generalized Tonal Functions

David Lewin · Journal of Music Theory · 1982 · 149 citations

, , +15

Revision of Terhardt's Psychoacoustical Model of the Root(s) of a Musical Chord

Richard Parncutt · Music Perception An Interdisciplinary Journal · 1988 · 139 citations

, , +10

Absolute Pitch Identification: Effects of Timbre and Pitch Region

Ken-ichi Miyazaki · Music Perception An Interdisciplinary Journal · 1989 · 139 citations

, , +17

1–5 of 82

Authors

82

  1. RM
    Robert Morris

    Instituto Nacional de Matemática Pura e Aplicada, Brazil

    9 publications · 278 citations

    9

    h-index

  2. DL
    David Lewin

    University of California, Los Angeles, United States

    5 publications · 322 citations

    5

    h-index

  3. JY
    Jason Yust

    Boston University, United States

    4 publications · 118 citations

    4

    h-index

  4. AM
    Andrew Mead

    3 publications · 76 citations

    3

    h-index

  5. RP
    Richard Parncutt

    University of Graz, Austria

    3 publications · 196 citations

    3

    h-index

1–5 of 82

Institutions

27

  1. Boston University

    Boston, United States

    2 h-index

    2 publications

    44 citations

  2. University of Graz

    Graz, Austria

    2 h-index

    5 publications

    183 citations

  3. The Ohio State University

    Columbus, United States

    2 h-index

    2 publications

    37 citations

  4. The Open University

    Milton Keynes, United Kingdom

    1 h-index

    2 publications

    94 citations

  5. Austrian Institute of Technology

    Vienna, Austria

    1 h-index

    1 publications

    42 citations

  6. Institut de Recherche et Coordination Acoustique Musique

    Paris, France

    1 h-index

    1 publications

    10 citations

  7. Haskins Laboratories

    New Haven, United States

    1 h-index

    1 publications

    36 citations

  8. University of Iowa

    Iowa City, United States

    1 h-index

    1 publications

    43 citations

1–8 of 27

Venues

  1. Journal of Music Theory

    16 publications · 702 citations

    16

    h-index

  2. Music Perception An Interdisciplinary Journal

    14 publications · 914 citations

    13

    h-index

  3. Perspectives of New Music

    14 publications · 365 citations

    11

    h-index

  4. Journal of New Music Research

    4 publications · 101 citations

    4

    h-index

  5. Music Analysis

    3 publications · 130 citations

    3

    h-index

1–5