Concepedia

Performative Composition

Performative Composition is a compositional framework in live electronics whereby the act of performance and real-time sonic manipulation constitute an integral, generative component of the musical structure, distinguishing it from fixed-score or precomposed paradigms through its emphasis on contingent, embodied, and often improvised decision-making within a defined set of procedural or technological constraints.

25

Publications

854

Citations

32

Authors

18

Institutions

Publications per year

2017–2026

0

Parents

Publications

25

The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music

Scot Gresham-Lancaster · Leonardo Music Journal · 1998 · 100 citations

, , +17

Raising as function composition

Pauline Jacobson · Linguistics and Philosophy · 1990 · 89 citations

, , +4

Theses on liveness

John Croft · Organised Sound · 2007 · 85 citations

, , +16

Composing Bodies; or, De-Composition: Queer Theory, Disability Studies, and Alternative Corporealities

Robert MeRuer · 2004 · 64 citations

, , +17

Introducing Composed Instruments, Technical and Musicological Implications

Marc Battier, Norbert Schnell · HAL (Le Centre pour la Communication Scientifique Directe) · 2002 · 58 citations · Full text

, , +10

1–5 of 25

Authors

32

  1. ND
    Nicolas Donin

    Institut de Recherche et Coordination Acoustique Musique, France

    1 publications · 14 citations

    1

    h-index

  2. MB
    Marc Battier

    Université Paris Cité, France

    1 publications · 58 citations

    1

    h-index

  3. SG
    Scot Gresham-Lancaster

    California State University, East Bay, United States

    1 publications · 100 citations

    1

    h-index

  4. JC
    Joel Chadabe

    1 publications · 22 citations

    1

    h-index

  5. RP
    Richard Polfreman

    University of Hertfordshire, United Kingdom

    1 publications · 16 citations

    1

    h-index

1–5 of 32

Institutions

18

  1. École Normale Supérieure

    Bujumbura, Burundi

    1 h-index

    1 publications

    54 citations

  2. University of Missouri

    Columbia, United States

    1 h-index

    1 publications

    25 citations

  3. Sound&Fury

    London, United Kingdom

    1 h-index

    2 publications

    32 citations

  4. Institut de Recherche et Coordination Acoustique Musique

    Paris, France

    1 h-index

    1 publications

    54 citations

  5. De Montfort University

    Leicester, United Kingdom

    1 h-index

    1 publications

    46 citations

  6. University of North Texas

    Denton, United States

    1 h-index

    1 publications

    41 citations

  7. Simon Fraser University

    Burnaby, Canada

    1 h-index

    1 publications

    14 citations

  8. University at Buffalo, State University of New York

    Buffalo, United States

    1 h-index

    1 publications

    11 citations

1–8 of 18

Venues

  1. Organised Sound

    8 publications · 265 citations

    8

    h-index

  2. Computer Music Journal

    2 publications · 32 citations

    2

    h-index

  3. Music Perception An Interdisciplinary Journal

    2 publications · 87 citations

    2

    h-index

  4. Journal of the Association for Information Systems

    JAIS · 1 publications · 31 citations

    1

    h-index

  5. Pacific philosophical quarterly

    1 publications · 25 citations

    1

    h-index

1–5