Performative Aesthetics

Performative Aesthetics is a theoretical framework within the philosophy of music education that identifies and analyzes the aesthetic qualities emergent in musical performance as distinct from compositional structure or interpretive intent, emphasizing embodied expression, temporal unfolding, and intersubjective perception in educational contexts.

212

Publications

10.5K

Citations

263

Authors

107

Institutions

Publications per year

2017–2026

17

Authors

263

  1. PK
    Peter Kivy

    Rutgers, The State University of New Jersey, United States

    5 publications · 357 citations

    5

    h-index

  2. SD
    Stephen Davies

    University of Auckland, New Zealand

    4 publications · 149 citations

    4

    h-index

  3. PA
    Philip Alperson

    Temple University, United States

    3 publications · 49 citations

    3

    h-index

  4. PH
    Patricia Holmes

    Trinity College London, United Kingdom

    2 publications · 80 citations

    2

    h-index

  5. RS
    Roger Sessions

    2 publications · 120 citations

    2

    h-index

1–5 of 263

Venues

  1. The British Journal of Aesthetics

    26 publications · 775 citations

    18

    h-index

  2. Journal of Aesthetic Education

    JAE · 17 publications · 417 citations

    13

    h-index

  3. Choice Reviews Online

    CRO · 13 publications · 1.7K citations

    12

    h-index

  4. Journal of Aesthetics and Art Criticism

    12 publications · 878 citations

    11

    h-index

  5. Philosophy of Music Education Review

    9 publications · 239 citations

    9

    h-index

1–5