Performance Sources

Performance Sources is a scholarly construct in musicology that comprises original manuscripts, annotated scores, treatises, and contemporary accounts documenting the interpretative practices, instrumentation, and stylistic conventions employed in the execution of Baroque music.

19

Publications

798

Citations

34

Authors

10

Institutions

Publications per year

2017–2026

2

Authors

34

  1. OK
    Orran Krieger

    University of Toronto, Canada

    1 publications · 31 citations

    1

    h-index

  2. MW
    Michael Wittmann

    University of Maine, United States

    1 publications · 15 citations

    1

    h-index

  3. JB
    John Bresnahan

    Argonne National Laboratory, United States

    1 publications · 22 citations

    1

    h-index

  4. RM
    Richard Megginson

    Red Hat (United States), United States

    1 publications · 31 citations

    1

    h-index

  5. JM
    Joseph M. Link

    Argonne National Laboratory, United States

    1 publications · 22 citations

    1

    h-index

1–5 of 34

Venues

  1. Early Music

    3 publications · 93 citations

    3

    h-index

  2. Journal of Sport and Exercise Psychology

    JSEP · 1 publications · 53 citations

    1

    h-index

  3. Cambridge Opera Journal

    1 publications · 15 citations

    1

    h-index

  4. The Musical Times

    1 publications · 10 citations

    1

    h-index

  5. Music and Letters

    1 publications · 49 citations

    1

    h-index

1–5