Concepedia

Percussion Ensemble Performance

Percussion Ensemble Performance is an academic concept referring to the collaborative musical practice of a group of performers who specialize in percussive instruments, distinguished from other ensemble types by its exclusive focus on rhythm, timbre, and the performance techniques unique to membranophones, idiophones, and related percussion instruments.

7

Publications

201

Citations

22

Authors

13

Institutions

Publications per year

2017–2026

1

Variants

Contemporary Ensemble PerformanceInstrumental Ensemble Performance

Parents

Children

Publications

7

Both Isochronous and Non-Isochronous Metrical Subdivision Afford Precise and Stable Ensemble Entrainment: A Corpus Study of Malian Jembe Drumming

Rainer Polak, Justin London, Nori Jacoby · Frontiers in Neuroscience · 2016 · 81 citations · Full text

, , +6

Rhythmic design in the support drums of Agbadza

Jeff Pressing · African Music Journal of the International Library of African Music · 1983 · 28 citations

, , +8

Jam'aa - A Middle Eastern Percussion Ensemble for Human and Robotic Players

Gil Weinberg, Scott Driscoll, Travis Thatcher · The Journal of the Abraham Lincoln Association · 2006 · 22 citations

, , +7

Neural Correlates of Listening to Varying Synchrony Between Beats in Samba Percussion and Relations to Feeling the Groove

Annerose Engel, Sebastian Hoefle, Marina Monteiro et al. · Frontiers in Neuroscience · 2022 · 21 citations · Full text

, , +16

Timing Variations in Two Balkan Percussion Performances

Daniel Goldberg · Empirical Musicology Review · 2016 · 18 citations · Full text

, , +9

1–5 of 7

Authors

22

  1. AE
    Annerose Engel

    Max Planck Institute for Human Cognitive and Brain Sciences, Germany

    1 publications · 21 citations

    1

    h-index

  2. MM
    Marina Monteiro

    D’Or Institute for Research and Education, Brazil

    1 publications · 21 citations

    1

    h-index

  3. LE
    Leta E. Miller

    1 publications · 14 citations

    1

    h-index

  4. RP
    Rainer Polak

    Max Planck Institute for Empirical Aesthetics, Germany

    1 publications · 81 citations

    1

    h-index

  5. TM
    Teruhiro Mizumoto

    Nara Institute of Science and Technology, Japan

    1 publications · 17 citations

    1

    h-index

1–5 of 22

Institutions

13

  1. Carleton College

    Northfield, United States

    1 h-index

    1 publications

    81 citations

  2. Aarhus University

    Aarhus, Denmark

    1 h-index

    1 publications

    21 citations

  3. Cologne University of Music

    Cologne, Germany

    1 h-index

    1 publications

    81 citations

  4. University Hospital Leipzig

    Leipzig, Germany

    1 h-index

    1 publications

    21 citations

  5. D’Or Institute for Research and Education

    Rio de Janeiro, Brazil

    1 h-index

    4 publications

    84 citations

  6. Western Sydney University

    Richmond, Australia

    1 h-index

    1 publications

    21 citations

  7. University of California, Berkeley

    Berkeley, United States

    1 h-index

    1 publications

    81 citations

  8. Kyoto University

    Kyoto, Japan

    1 h-index

    6 publications

    102 citations

1–8 of 13

Venues

  1. Frontiers in Neuroscience

    2 publications · 102 citations

    2

    h-index

  2. American Music

    1 publications · 14 citations

    1

    h-index

  3. Empirical Musicology Review

    EMR · 1 publications · 18 citations

    1

    h-index

  4. 1

    h-index

  5. 1

    h-index

1–5