Concepedia

Originality In Performance

Originality in Performance is an academic concept within the domain of music originality that denotes the distinctive creative agency manifested through interpretive choices, expressive deviations, and embodied improvisations by a performer, thereby differentiating a musical rendition from both the source composition and conventional renderings.

24

Publications

1.5K

Citations

31

Authors

15

Institutions

Publications per year

2017–2026

2

Variants

Performance Originality

Parents

Publications

24

Text and act: essays on music and performance

Choice Reviews Online · 1996 · 331 citations

, , +17

Text and Act: Essays on Music and Performance

Sanford Levinson, Jack M. Balkin, Richard Taruskin · Notes · 1996 · 190 citations

, , +17

“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence

Amelia Jones · TDR/The Drama Review · 2011 · 131 citations

, , +10

For an audience: a philosophy of the performing arts

Choice Reviews Online · 1993 · 91 citations

, , +16

AUTHENTICITY IN MUSICAL PERFORMANCE

Stephen Davies · The British Journal of Aesthetics · 1987 · 75 citations

, , +16

1–5 of 24

Authors

31

  1. SD
    Stephen Davies

    University of Auckland, New Zealand

    2 publications · 124 citations

    2

    h-index

  2. ST
    Samuel T. Hunter

    Pennsylvania State University, United States

    1 publications · 49 citations

    1

    h-index

  3. SK
    Sanne Krogh Groth

    Roskilde University, Denmark

    1 publications · 12 citations

    1

    h-index

  4. JM
    Jack M. Balkin

    Yale University, United States

    1 publications · 190 citations

    1

    h-index

  5. TL
    Tânia Lisboa

    Royal College of Music, United Kingdom

    1 publications · 49 citations

    1

    h-index

1–5 of 31

Institutions

15

  1. Stony Brook University

    Stony Brook, United States

    1 h-index

    1 publications

    49 citations

  2. Yahoo (United Kingdom)

    London, United Kingdom

    1 h-index

    1 publications

    44 citations

  3. Royal College of Music

    London, United Kingdom

    1 h-index

    2 publications

    98 citations

  4. University of Georgia

    Athens, United States

    1 h-index

    1 publications

    33 citations

  5. Technical University of Munich

    Munich, Germany

    1 h-index

    1 publications

    15 citations

  6. University of Auckland

    Auckland, New Zealand

    1 h-index

    1 publications

    75 citations

  7. Queensland University of Technology

    Brisbane, Australia

    1 h-index

    2 publications

    52 citations

  8. Singapore Science Park

    Singapore, Singapore

    1 h-index

    1 publications

    44 citations

1–8 of 15

Venues

  1. Choice Reviews Online

    CRO · 4 publications · 524 citations

    4

    h-index

  2. Journal of Educational Psychology

    1 publications · 33 citations

    1

    h-index

  3. Contemporary Music Review

    1 publications · 12 citations

    1

    h-index

  4. Journal of Aesthetics and Art Criticism

    1 publications · 16 citations

    1

    h-index

  5. Early Music

    1 publications · 13 citations

    1

    h-index

1–5