Opera Semiotics

Opera Semiotics is a theoretical framework within musicological and dramatic analysis that systematically interprets the signs, symbols, and signifying practices unique to operatic works, distinguishing itself by its focus on the interplay between musical, textual, and performative elements as semiotic systems in the construction of meaning within opera.

48

Publications

1.1K

Citations

47

Authors

12

Institutions

Publications per year

2017–2026

4

Authors

47

  1. LH
    Linda Hutcheon

    University of Toronto, Canada

    2 publications · 32 citations

    2

    h-index

  2. DL
    Dínda L. Gorlée

    Indiana University Bloomington, United States

    2 publications · 55 citations

    2

    h-index

  3. TC
    Tim Carter

    Royal Holloway University of London, United Kingdom

    1 publications · 18 citations

    1

    h-index

  4. PW
    Philip Waldron

    1 publications · 27 citations

    1

    h-index

  5. PK
    Peter Kivy

    Rutgers, The State University of New Jersey, United States

    1 publications · 12 citations

    1

    h-index

1–5 of 47

Venues

  1. Cambridge Opera Journal

    7 publications · 180 citations

    7

    h-index

  2. Choice Reviews Online

    CRO · 5 publications · 183 citations

    5

    h-index

  3. Journal of the American Musicological Society

    2 publications · 46 citations

    2

    h-index

  4. The International Journal of Psychoanalysis

    2 publications · 33 citations

    2

    h-index

  5. Journal of the Royal Musical Association

    2 publications · 28 citations

    2

    h-index

1–5