Opera Semiotics
Opera Semiotics is a theoretical framework within musicological and dramatic analysis that systematically interprets the signs, symbols, and signifying practices unique to operatic works, distinguishing itself by its focus on the interplay between musical, textual, and performative elements as semiotic systems in the construction of meaning within opera.
48
Publications
1.1K
Citations
47
Authors
12
Institutions
Publications per year
2017–2026
4
48
Theatre semiotics: signs of life
Choice Reviews Online · 1990 · 86 citations
‘The Blue Note’ and ‘The objectified voice and the vocal object’
Michel Poizat · Cambridge Opera Journal · 1991 · 75 citations
Humanities, Art History, Musicology +17
THREE HYBRID WORKS AT THE PARIS OPÉRA, CIRCA 1830
Marian Smith · Dance Chronicle · 2001 · 68 citations
Choice Reviews Online · 1990 · 51 citations
Dínda L. Gorlée · Target International Journal of Translation Studies · 1997 · 43 citations
Humanities, Linguistics, Musicology +12
1–5 of 48
47
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1 publications · 27 citations
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12

University of Roehampton
London, United Kingdom
1 h-index
1 publications
27 citations

Universität Innsbruck
Innsbruck, Austria
1 h-index
1 publications
43 citations
Practical Action
Rugby, United Kingdom
1 h-index
1 publications
23 citations

John Carroll University
University Heights, United States
1 h-index
1 publications
19 citations
Rutgers, The State University of New Jersey
New Brunswick, United States
1 h-index
1 publications
12 citations
Smith Family
Sydney, Australia
1 h-index
1 publications
22 citations

Royal Holloway University of London
Egham, United Kingdom
1 h-index
1 publications
18 citations

Tampere University
Tampere, Finland
1 h-index
1 publications
31 citations
1–8 of 12
7 publications · 180 citations
7
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CRO · 5 publications · 183 citations
5
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2 publications · 46 citations
2
h-index
2 publications · 33 citations
2
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2 publications · 28 citations
2
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