Opera Appreciation
Opera Appreciation is a scholarly discipline within music appreciation that focuses on the critical understanding and aesthetic evaluation of opera as an integrated art form, distinguished by its synthesis of musical, dramatic, and theatrical elements.
34
Publications
1.8K
Citations
39
Authors
18
Institutions
Publications per year
2017–2026
4
Parents
34
The queen's throat: opera, homosexuality, and the mystery of desire
Choice Reviews Online · 1993 · 762 citations
Humanities, Literature, Musicology +13
The angel's cry: beyond the pleasure principle in opera
Choice Reviews Online · 1992 · 136 citations
‘The Blue Note’ and ‘The objectified voice and the vocal object’
Michel Poizat · Cambridge Opera Journal · 1991 · 75 citations
Humanities, Art History, Musicology +17
Opera in the flesh: sexuality in operatic performance
Choice Reviews Online · 1996 · 69 citations
1–5 of 34
39
2
h-index
2 publications · 100 citations
2
h-index
1
h-index
1 publications · 10 citations
1
h-index
1
h-index
1–5 of 39
18

Universidad de Oviedo
Oviedo, Spain
2 h-index
2 publications
31 citations
University of Southern California
Los Angeles, United States
1 h-index
1 publications
55 citations
King's College London
London, United Kingdom
1 h-index
1 publications
10 citations
Max Planck Institute for Empirical Aesthetics
Frankfurt am Main, Germany
1 h-index
3 publications
168 citations
University of Connecticut
Storrs, United States
1 h-index
1 publications
47 citations

Imperial College London
London, United Kingdom
1 h-index
1 publications
10 citations

Trinity College
Toronto, Canada
1 h-index
1 publications
11 citations
University of California, Davis
Davis, United States
1 h-index
1 publications
13 citations
1–8 of 18
CRO · 9 publications · 1.1K citations
9
h-index
3 publications · 82 citations
3
h-index
2 publications · 66 citations
2
h-index
2 publications · 28 citations
2
h-index
2 publications · 42 citations
2
h-index
1–5