National Authenticity

National Authenticity is a theoretical construct in music studies that denotes the degree to which a musical work or practice is perceived to genuinely embody the cultural, historical, and stylistic characteristics associated with a particular nation-state.

26

Publications

1.2K

Citations

30

Authors

17

Institutions

Publications per year

2017–2026

1

Authors

30

  1. RA
    Richard A. Peterson

    Vanderbilt University, United States

    3 publications · 124 citations

    3

    h-index

  2. KS
    Karen Smith

    Victoria University of Wellington, New Zealand

    2 publications · 164 citations

    2

    h-index

  3. DJ
    Deborah Jones

    Victoria University of Wellington, New Zealand

    2 publications · 164 citations

    2

    h-index

  4. DL
    David Looseley

    University of Leeds, United Kingdom

    2 publications · 90 citations

    2

    h-index

  5. LC
    Lloyd Cox

    Macquarie University, Australia

    1 publications · 11 citations

    1

    h-index

1–5 of 30

Venues

  1. National Identities

    2 publications · 26 citations

    2

    h-index

  2. Choice Reviews Online

    CRO · 2 publications · 211 citations

    2

    h-index

  3. New Zealand Journal of Geography

    1 publications · 12 citations

    1

    h-index

  4. Nations and Nationalism

    1 publications · 94 citations

    1

    h-index

  5. Asian Studies Review

    1 publications · 24 citations

    1

    h-index

1–5