Musical Subjectivity is a theoretical construct within the philosophy of music that identifies the personal, experiential dimension of musical engagement through which individuals interpret, feel, and attribute meaning to music based on their unique psychological, cultural, and situational contexts.
124
Publications
7K
Citations
125
Authors
42
Institutions
Publications per year
2017–2026
12
Parents
Publications
124
Antoine Hennion · Theory Culture & Society · 2001 · 304 citations
ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING
Theodor W. Adorno · 2005 · 301 citations
Humanities, Musicology, Psychology +13
1–5 of 124
Authors
125
- AH
2
h-index
- SD
2
h-index
- JB
2
h-index
- MSMacDonald Smith Moore
2 publications · 96 citations
2
h-index
- CS
2
h-index
1–5 of 125
Institutions
42
University of Ottawa
Ottawa, Canada
2 h-index
3 publications
59 citations
Centre de sociologie de l'innovation
Paris, France
2 h-index
2 publications
373 citations
University of Oxford
Oxford, United Kingdom
2 h-index
2 publications
104 citations
Örebro University
Örebro, Sweden
2 h-index
2 publications
47 citations
University of East Anglia
Norwich, United Kingdom
1 h-index
1 publications
13 citations
New School
New York, United States
1 h-index
1 publications
10 citations
Duke University
Durham, United States
1 h-index
1 publications
17 citations
Newcastle University
Newcastle upon Tyne, United Kingdom
1 h-index
1 publications
12 citations
1–8 of 42
Venues
- Choice Reviews Online
CRO · 19 publications · 2.4K citations
18
h-index
- Notes
5 publications · 219 citations
5
h-index
- Philosophy of Music Education Review
4 publications · 96 citations
4
h-index
- Ethnomusicology
4 publications · 83 citations
4
h-index
- Contemporary Music Review
3 publications · 78 citations
3
h-index
1–5