Musical Self-reference
Musical Self-Reference is a compositional or structural phenomenon in which a musical work explicitly incorporates or alludes to its own elements, such as themes, motifs, or forms, thereby establishing a reflexive relationship between the work and its internal components.
13
Publications
361
Citations
24
Authors
8
Institutions
Publications per year
2017–2026
4
Parents
13
What is Musical Meaning? Theorizing Music as Performative Utterance
Andrew J. Chung · Music Theory Online · 2019 · 43 citations · Full text
Humanities, Linguistics, Musicology +17
Meta-Variations, Part IV: Analytic Fallout (II)
Benjamin Boretz · Perspectives of New Music · 1973 · 33 citations
1–5 of 13
24
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1
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1
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1 publications · 24 citations
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1
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1–5 of 24
8
Catholic University of America
Washington D.C., United States
1 h-index
1 publications
11 citations
Yale University
New Haven, United States
1 h-index
1 publications
43 citations
University of Catania
Catania, Italy
1 h-index
1 publications
19 citations

De Montfort University
Leicester, United Kingdom
1 h-index
1 publications
32 citations
KU Leuven
Leuven, Belgium
1 h-index
1 publications
11 citations
Lewis & Clark College
Portland, United States
1 h-index
1 publications
37 citations
Equinox (United States)
New York, United States
1 h-index
1 publications
11 citations

University of Messina
Messina, Italy
1 h-index
2 publications
38 citations
1–8 of 8
Repository · 1 publications · 25 citations
1
h-index
1 publications · 37 citations
1
h-index
1 publications · 11 citations
1
h-index
1 publications · 11 citations
1
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1 publications · 24 citations
1
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1–5