Musical Self-reference

Musical Self-Reference is a compositional or structural phenomenon in which a musical work explicitly incorporates or alludes to its own elements, such as themes, motifs, or forms, thereby establishing a reflexive relationship between the work and its internal components.

13

Publications

361

Citations

24

Authors

8

Institutions

Publications per year

2017–2026

4

Authors

24

  1. CC
    Claudia Castiglione

    University of Catania, Italy

    1 publications · 19 citations

    1

    h-index

  2. JB
    Jeanette Bicknell

    University of Ottawa, Canada

    1 publications · 37 citations

    1

    h-index

  3. JU
    Jakob Uszkoreit

    Google (United States), United States

    1 publications · 57 citations

    1

    h-index

  4. AS
    Amber Schumacher

    1 publications · 24 citations

    1

    h-index

  5. AV
    Ashish Vaswani

    University of Southern California, United States

    1 publications · 57 citations

    1

    h-index

1–5 of 24

Venues

  1. Jyväskylä University Digital Archive (University of Jyväskylä)

    Repository · 1 publications · 25 citations

    1

    h-index

  2. Journal of Aesthetics and Art Criticism

    1 publications · 37 citations

    1

    h-index

  3. Musicae Scientiae

    1 publications · 11 citations

    1

    h-index

  4. Journal of Film Music

    1 publications · 11 citations

    1

    h-index

  5. Music Educators Journal

    1 publications · 24 citations

    1

    h-index

1–5