Musical Proportion

Musical Proportion is a theoretical construct in the philosophy of music that identifies the aesthetically significant relationships among musical elements—such as duration, pitch, rhythm, and form—according to quantitative and qualitative balance, thereby serving as a determinant of perceived beauty in musical composition.

8

Publications

349

Citations

11

Authors

4

Institutions

Publications per year

2017–2026

1

Authors

11

  1. RI
    Ruth I. DeFord

    Hunter College, United States

    1 publications · 11 citations

    1

    h-index

  2. GT
    Gustav Theodor Fechner

    Carl von Ossietzky Universität Oldenburg, Germany

    1 publications · 44 citations

    1

    h-index

  3. RP
    Richard Parncutt

    University of Graz, Austria

    1 publications · 44 citations

    1

    h-index

  4. NC
    Norman Cazden

    University of Maine, United States

    1 publications · 10 citations

    1

    h-index

  5. RB
    Roger Bowers

    Jesus University, South Korea

    1 publications · 39 citations

    1

    h-index

1–5 of 11

Venues

  1. Journal of Research in Music Education

    1 publications · 10 citations

    1

    h-index

  2. Journal of the Society of Architectural Historians

    JSAH · 1 publications · 78 citations

    1

    h-index

  3. Music and Letters

    1 publications · 39 citations

    1

    h-index

  4. The Musical Quarterly

    1 publications · 22 citations

    1

    h-index

  5. Empirical Studies of the Arts

    1 publications · 44 citations

    1

    h-index

1–5