Music Typography

Music Typography is a scholarly construct in the field of Music Printing History that denotes the systematic study and design of printed musical notation through the historical development, categorization, and application of typographic methods, conventions, and typefaces specifically adapted for the accurate representation of musical symbols and textual components in printed form.

6

Publications

310

Citations

10

Authors

3

Institutions

Publications per year

2017–2026

0

Authors

10

  1. LP
    Laurent Pugin

    McGill University, Canada

    2 publications · 76 citations

    2

    h-index

  2. TC
    Tim Carter

    University of Nottingham, United Kingdom

    1 publications · 63 citations

    1

    h-index

  3. SS
    Stanley Sadie

    1 publications · 113 citations

    1

    h-index

  4. IF
    Ichiro Fujinaga

    McGill University, Canada

    1 publications · 20 citations

    1

    h-index

  5. CF
    Corey Field

    Field Studies Council, United Kingdom

    1 publications · 113 citations

    1

    h-index

1–5 of 10

Institutions

3

  1. McGill University

    Montreal, Canada

    2 h-index

    4 publications

    116 citations

  2. University of London

    London, United Kingdom

    1 h-index

    1 publications

    63 citations

  3. The Ohio State University

    Columbus, United States

    1 h-index

    1 publications

    27 citations

1–3 of 3

Venues

  1. Notes

    2 publications · 144 citations

    2

    h-index

  2. Zenodo (CERN European Organization for Nuclear Research)

    Repository · 1 publications · 56 citations

    1

    h-index

  3. Communications of the ACM

    1 publications · 27 citations

    1

    h-index

  4. Early Music History

    1 publications · 63 citations

    1

    h-index

  5. Bern Open Repository and Information System (University of Bern)

    Repository · 1 publications · 14 citations

1–5