Music Fandom

Music Fandom is a socially constructed relational phenomenon within audience communities, distinguished by its affective, participatory, and identity-based engagement with a musical artist, genre, or collective, manifesting through sustained expressive practices, shared meaning-making, and communal belonging in both physical and digital spaces.

71

Publications

3.4K

Citations

109

Authors

59

Institutions

Publications per year

2017–2026

24

Authors

109

  1. NK
    Nancy K. Baym

    University of Kansas, United States

    4 publications · 486 citations

    4

    h-index

  2. SG
    Steven Gamble

    University College Cork, Ireland

    3 publications · 62 citations

    3

    h-index

  3. HW
    Hannelore Wass

    University of Florida, United States

    2 publications · 68 citations

    2

    h-index

  4. LB
    Lucy Bennett

    Cardiff University, United Kingdom

    2 publications · 160 citations

    2

    h-index

  5. CA
    Chris Atton

    Edinburgh Napier University, United Kingdom

    2 publications · 95 citations

    2

    h-index

1–5 of 109

Venues

  1. Popular Music & Society

    8 publications · 429 citations

    8

    h-index

  2. Metal Music Studies

    3 publications · 60 citations

    3

    h-index

  3. New Media & Society

    3 publications · 145 citations

    3

    h-index

  4. Journal of Popular Music Studies

    JPMS · 3 publications · 65 citations

    3

    h-index

  5. First Monday

    2 publications · 210 citations

    2

    h-index

1–5