Intersectional Spectatorship
Intersectional Spectatorship is a theoretical framework within queer film studies that analyzes the viewer’s positionality as shaped simultaneously by multiple, interlocking axes of identity—such as race, gender, sexuality, and class—thereby challenging monolithic models of looking and revealing how power differentials condition the ways in which diverse audiences engage with and interpret cinematic texts.
22
Publications
717
Citations
34
Authors
25
Institutions
Publications per year
2017–2026
8
22
1–5 of 22
34
1
h-index
1
h-index
1
h-index
1
h-index
1
h-index
1–5 of 34
25
Northwestern University
Evanston, United States
1 h-index
1 publications
23 citations

York University
Toronto, Canada
1 h-index
2 publications
78 citations
Ontario Tech University
Oshawa, Canada
1 h-index
1 publications
39 citations
University of Michigan
Ann Arbor, United States
1 h-index
1 publications
23 citations
Wyoming Department of Education
Cheyenne, United States
1 h-index
1 publications
13 citations
Microsoft (United States)
Redmond, United States
1 h-index
1 publications
67 citations

Monash University
Melbourne, Australia
1 h-index
1 publications
69 citations

Christopher Newport University
Newport News, United States
1 h-index
1 publications
38 citations
1–8 of 25
2 publications · 110 citations
2
h-index
2 publications · 68 citations
2
h-index
1 publications · 42 citations
1
h-index
QRFV · 1 publications · 12 citations
1
h-index
1 publications · 27 citations
1
h-index
1–5