Interactive Music Making

Interactive Music Making is a collaborative musical practice in which performers engage in real-time mutual influence and adaptive response through sonic and non-sonic cues, distinguishing it from predetermined or solitary forms of music performance.

93

Publications

3.6K

Citations

211

Authors

83

Institutions

Publications per year

2017–2026

19

Authors

211

  1. NB
    Nick Bryan–Kinns

    Queen Mary University of London, United Kingdom

    6 publications · 144 citations

    6

    h-index

  2. GW
    Gil Weinberg

    Georgia Institute of Technology, United States

    4 publications · 135 citations

    4

    h-index

  3. JB
    Jan Borchers

    RWTH Aachen University, Germany

    3 publications · 68 citations

    3

    h-index

  4. SF
    Sidney Fels

    University of British Columbia, Canada

    2 publications · 113 citations

    2

    h-index

  5. LG
    Lalya Gaye

    University of Alberta, Canada

    2 publications · 125 citations

    2

    h-index

1–5 of 211

Venues

  1. Zenodo (CERN European Organization for Nuclear Research)

    Repository · 8 publications · 204 citations

    8

    h-index

  2. Organised Sound

    7 publications · 376 citations

    7

    h-index

  3. Choice Reviews Online

    CRO · 3 publications · 200 citations

    3

    h-index

  4. Journal of New Music Research

    2 publications · 71 citations

    2

    h-index

  5. Leonardo Music Journal

    LMJ · 2 publications · 343 citations

    2

    h-index

1–5