Imitative Counterpoint is a compositional technique in voice-leading analysis whereby a melodic idea is introduced in one voice and subsequently restated in another voice at a different pitch level, characterizing its genus as a contrapuntal procedure and differentiating it through the deliberate, sequential replication of thematic material across voices.
6
Publications
216
Citations
8
Authors
2
Institutions
Publications per year
2017–2026
0
Publications
6
‘High’ clefs in composition and performance
Andrew Johnstone · Early Music · 2006 · 57 citations
Music Theory and the Exploration of the Past
Arnold Whittall, Christopher Hatch, David W. Bernstein · The Musical Times · 1994 · 57 citations
Music theory and the exploration of the past
Choice Reviews Online · 1994 · 32 citations
Analyzing Fugue: A Schenkerian Approach
Heather Platt, William Renwick · Notes · 1996 · 22 citations
1–5 of 6
Authors
8
- AJ
1
h-index
- AW
1
h-index
- WRWilliam Renwick
1 publications · 22 citations
1
h-index
- CH
1
h-index
- DW
1
h-index
1–5 of 8
Venues
- Journal of Musicology
JM · 1 publications · 33 citations
1
h-index
- Choice Reviews Online
CRO · 1 publications · 32 citations
1
h-index
- Early Music
1 publications · 57 citations
1
h-index
- Notes
1 publications · 22 citations
1
h-index
- The Musical Times
1 publications · 57 citations
1
h-index
1–5