Human-computer Music Interaction

Human-Computer Music Interaction is an academic concept within interactive music systems that denotes a systematic framework for enabling real-time, bidirectional communication between humans and computational systems through musical expression, analysis, or control.

615

Publications

23.5K

Citations

1.1K

Authors

347

Institutions

Publications per year

2017–2026

75

Variants

Hcmi

Authors

1.1K

  1. RB
    Roger B. Dannenberg

    Carnegie Mellon University, United States

    13 publications · 452 citations

    12

    h-index

  2. RF
    Rebecca Fiebrink

    Goldsmiths University of London, United Kingdom

    12 publications · 349 citations

    12

    h-index

  3. PR
    Perry R. Cook

    Princeton University, United States

    14 publications · 560 citations

    12

    h-index

  4. ER
    Eduardo Reck Miranda

    University of Plymouth, United Kingdom

    12 publications · 329 citations

    11

    h-index

  5. SJ
    Sergi Jordà

    Universitat Pompeu Fabra, Spain

    10 publications · 337 citations

    10

    h-index

1–5 of 1.1K

Venues

  1. Computer Music Journal

    48 publications · 2.8K citations

    26

    h-index

  2. The Journal of the Abraham Lincoln Association

    27 publications · 895 citations

    19

    h-index

  3. Zenodo (CERN European Organization for Nuclear Research)

    Repository · 36 publications · 718 citations

    17

    h-index

  4. Journal of New Music Research

    23 publications · 594 citations

    16

    h-index

  5. Organised Sound

    16 publications · 729 citations

    14

    h-index

1–5