Human-computer Interaction In Performance

Human-Computer Interaction in Performance is a scholarly research contribution that focuses on the design, implementation, or analysis of interactive systems enabling real-time computational responsiveness to human performers in musical contexts, distinguishing it from general human-computer interaction by its emphasis on live, expressive, and often improvisational co-generation of sound and behavior.

80

Publications

2.6K

Citations

193

Authors

81

Institutions

Publications per year

2017–2026

8

Authors

193

  1. GW
    Gil Weinberg

    Georgia Institute of Technology, United States

    3 publications · 132 citations

    3

    h-index

  2. JA
    John A. Biles

    Rochester Institute of Technology, United States

    3 publications · 82 citations

    3

    h-index

  3. HK
    Haruhiro Katayose

    Kwansei Gakuin University, Japan

    3 publications · 49 citations

    3

    h-index

  4. AK
    Ajay Kapur

    California Institute of the Arts, United States

    3 publications · 63 citations

    3

    h-index

  5. DZ
    David Z. Saltz

    Stony Brook University, United States

    2 publications · 72 citations

    2

    h-index

1–5 of 193

Venues

  1. Journal of New Music Research

    5 publications · 173 citations

    5

    h-index

  2. Computer Music Journal

    5 publications · 472 citations

    5

    h-index

  3. New Interfaces for Musical Expression

    Conference · 4 publications · 69 citations

    4

    h-index

  4. The Journal of the Abraham Lincoln Association

    3 publications · 180 citations

    3

    h-index

  5. Zenodo (CERN European Organization for Nuclear Research)

    Repository · 3 publications · 61 citations

    3

    h-index

1–5