Hexachord Theory

Hexachord Theory is a musical theoretical framework in medieval music pedagogy that organizes pitch relationships through a system of six-note scales (hexachords) based on fixed syllabic patterns (ut–re–mi–fa–sol–la) and mutable semitone placement, primarily distinguished by its application of overlapping hexachords—natural, hard, and soft—to guide vocal intonation and musica ficta.

8

Publications

256

Citations

7

Authors

3

Institutions

Publications per year

2017–2026

0

Variants

Hexachordal Theory

Authors

7

  1. DL
    David Lewin

    University of California, Los Angeles, United States

    3 publications · 94 citations

    3

    h-index

  2. EA
    Emmanuel Amiot

    Centre Hospitalier de Perpignan, France

    1 publications · 45 citations

    1

    h-index

  3. DB
    Don B. Gibson

    Baylor University, United States

    1 publications · 16 citations

    1

    h-index

  4. DM
    Donald Martino

    1 publications · 12 citations

    1

    h-index

  5. WR
    William Rothstein

    The Graduate Center, CUNY, United States

    1 publications · 12 citations

    1

    h-index

1–5 of 7

Institutions

3

  1. The Ohio State University

    Columbus, United States

    1 h-index

    1 publications

    16 citations

  2. Centre Hospitalier Saint-Nazaire

    Saint-Nazaire, France

    1 h-index

    1 publications

    45 citations

  3. University of Michigan

    Ann Arbor, United States

    1 h-index

    1 publications

    57 citations

1–3 of 3

Venues

  1. Journal of Music Theory

    3 publications · 84 citations

    3

    h-index

  2. Perspectives of New Music

    2 publications · 54 citations

    2

    h-index

  3. Psychomusicology Music Mind and Brain

    1 publications · 16 citations

    1

    h-index

  4. Journal of Mathematics and Music

    1 publications · 45 citations

    1

    h-index

  5. Journal of Musicology

    JM · 1 publications · 57 citations

    1

    h-index

1–5