Gospel Harmony

Gospel Harmony is a theoretical framework within the academic study of gospel music that systematizes the analysis of harmonic structures, progressions, and vocal part-writing practices distinctive to African American gospel traditions, differentiating it from other music-analytical models by its focus on improvisational voicings, spiritual expressivity, and call-and-response-based harmonic elaboration.

10

Publications

386

Citations

9

Authors

2

Institutions

Publications per year

2017–2026

3

Authors

9

  1. JG
    James Goff

    UNSW Sydney, Australia

    1 publications · 26 citations

    1

    h-index

  2. MF
    Michael F. Bird

    Denso (United States), United States

    1 publications · 22 citations

    1

    h-index

  3. JC
    Jeremiah Coogan

    Santa Clara University, United States

    1 publications · 24 citations

    1

    h-index

  4. AS
    Adam Smyth

    University of Reading, United Kingdom

    1 publications · 15 citations

    1

    h-index

  5. US
    Ulrich Schmid

    TU Wien, Austria

    1 publications · 28 citations

    1

    h-index

1–5 of 9

Institutions

2

  1. Seattle Pacific University

    Seattle, United States

    1 h-index

    1 publications

    30 citations

  2. Ridley College

    Melbourne, Australia

    1 h-index

    1 publications

    22 citations

1–2 of 2

Venues

  1. Journal of early Christian studies

    2 publications · 71 citations

    2

    h-index

  2. Bulletin for Biblical Research

    BBR · 2 publications · 52 citations

    2

    h-index

  3. Journal of Medieval and Early Modern Studies

    1 publications · 15 citations

    1

    h-index

  4. The Journal of Southern History

    1 publications · 26 citations

    1

    h-index

  5. New Testament Studies

    1 publications · 17 citations

    1

    h-index

1–5