Four-part Harmony

Four-Part Harmony is a harmonic framework in tonal music theory consisting of the structured arrangement of four distinct vocal or contrapuntal lines—soprano, alto, tenor, and bass—governed by principles of voice leading to ensure smooth, independent voice motion and consonant harmonic progression.

16

Publications

492

Citations

26

Authors

13

Institutions

Publications per year

2017–2026

0

Authors

26

  1. RP
    Raymond Peter Whorley

    Goldsmiths University of London, United Kingdom

    3 publications · 86 citations

    3

    h-index

  2. MT
    Marcus T. Pearce

    Queen Mary University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  3. GA
    Geraínt A. Wiggins

    Goldsmiths University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  4. CR
    Christophe Rhodes

    Goldsmiths University of London, United Kingdom

    2 publications · 54 citations

    2

    h-index

  5. DC
    Darrell Conklin

    University of the Basque Country, Spain

    1 publications · 32 citations

    1

    h-index

1–5 of 26

Venues

  1. Journal of New Music Research

    2 publications · 67 citations

    2

    h-index

  2. Goldsmiths (University of London)

    Repository · 1 publications · 19 citations

    1

    h-index

  3. Traditio

    1 publications · 12 citations

    1

    h-index

  4. Sight & sound/Sight and sound

    1 publications · 15 citations

    1

    h-index

  5. 1

    h-index

1–5