Folk Authenticity

Folk Authenticity is a theoretical construct within the study of musical authenticity that designates the perceived legitimacy of a musical practice or performance as originating from and representing the cultural traditions and lived experiences of a specific community, thereby distinguishing it from commercially mediated or artistically simulated forms of folk expression.

18

Publications

1.8K

Citations

17

Authors

7

Institutions

Publications per year

2017–2026

1

Authors

17

  1. RA
    Ray Allen

    2 publications · 37 citations

    2

    h-index

  2. SJ
    Sherry Johnson

    University of Ghana, Ghana

    1 publications · 25 citations

    1

    h-index

  3. LM
    Lynn M. Hooker

    Indiana University, United States

    1 publications · 12 citations

    1

    h-index

  4. ZN
    Zsuzsa Nagy-Sándor

    Erasmus University Rotterdam, Netherlands

    1 publications · 10 citations

    1

    h-index

  5. HH
    Hiroyuki Hashimoto

    Tohoku University, Japan

    1 publications · 22 citations

    1

    h-index

1–5 of 17

Venues

  1. Popular Music

    2 publications · 508 citations

    2

    h-index

  2. Choice Reviews Online

    CRO · 2 publications · 565 citations

    2

    h-index

  3. Journal of American Folklore

    JAF · 2 publications · 26 citations

    2

    h-index

  4. British Journal of Music Education

    BJME · 1 publications · 25 citations

    1

    h-index

  5. Musicology Australia

    1 publications · 60 citations

    1

    h-index

1–5