Embodied Vocality

Embodied Vocality is an academic construct within the study of Puppet Voice that refers to the vocal expression produced through the integration of physical puppet manipulation and vocal performance, distinguished by its reliance on the performer’s bodily engagement to generate and modulate voice as an extension of the puppet’s perceived agency.

12

Publications

656

Citations

15

Authors

6

Institutions

Publications per year

2017–2026

2

Authors

15

  1. CN
    Camille Nurka

    UNSW Sydney, Australia

    1 publications · 12 citations

    1

    h-index

  2. BM
    Ben Macpherson

    University of Winchester, United Kingdom

    1 publications · 15 citations

    1

    h-index

  3. DH
    Diane Hughes

    Macquarie University, Australia

    1 publications · 15 citations

    1

    h-index

  4. AW
    Amanda Weidman

    Bryn Mawr College, United States

    1 publications · 246 citations

    1

    h-index

  5. LC
    L. C. Dunn

    Columbia University, United States

    1 publications · 200 citations

    1

    h-index

1–5 of 15

Venues

  1. Journal of Popular Music Studies

    JPMS · 2 publications · 44 citations

    2

    h-index

  2. Feminist Media Studies

    1 publications · 12 citations

    1

    h-index

  3. The Musical Times

    1 publications · 200 citations

    1

    h-index

  4. Shakespeare Quarterly

    1 publications · 14 citations

    1

    h-index

  5. Choice Reviews Online

    CRO · 1 publications · 52 citations

    1

    h-index

1–5