Embodied Musicking

Embodied Musicking is a theoretical framework within the study of musical agency that integrates bodily movement, sensory engagement, and performative action as foundational elements in the creation and experience of music, distinguishing itself from representational or cognitivist models by emphasizing the lived, physical, and situated dimensions of musical practice.

9

Publications

437

Citations

10

Authors

7

Institutions

Publications per year

2017–2026

1

Authors

10

  1. CG
    Christopher G. Small

    University of Waterloo, Canada

    1 publications · 205 citations

    1

    h-index

  2. SW
    Simon Waters

    Orpheus Institute, Belgium

    1 publications · 17 citations

    1

    h-index

  3. GS
    Gregory S. Weinstein

    University of Pennsylvania, United States

    1 publications · 15 citations

    1

    h-index

  4. AS
    Andrea Schiavio

    University of Graz, Austria

    1 publications · 33 citations

    1

    h-index

  5. KR
    Kevin Ryan

    Stanford University, United States

    1 publications · 33 citations

    1

    h-index

1–5 of 10

Venues

  1. Connection Science

    1 publications · 39 citations

    1

    h-index

  2. Music Therapy Perspectives

    1 publications · 18 citations

    1

    h-index

  3. New Ideas in Psychology

    1 publications · 33 citations

    1

    h-index

  4. IASPM Journal

    1 publications · 15 citations

    1

    h-index

  5. Cultural Sociology

    1 publications · 41 citations

    1

    h-index

1–5