Electronic Aesthetics
Electronic Aesthetics is a theoretical construct within the field of Expanded Cinema that articulates the sensory, formal, and experiential principles governing the integration of electronic technologies—such as video, digital processing, and real-time computation—into cinematic practice, thereby distinguishing itself from traditional film aesthetics through its emphasis on interactivity, technological mediation, and non-linear temporality.
12
Publications
273
Citations
17
Authors
8
Institutions
Publications per year
2017–2026
3
Parents
12
Electronic Visualisation and the Arts.
LH Jackson · Research Open (London South Bank University) · 2014 · 26 citations · Full text
Joe Swanberg, Intimacy, and the Digital Aesthetic
Aymar Jean Christian · Cinema Journal · 2011 · 25 citations
Limited imagination: Depictions of computers in science fiction film
Jerrod Larson · Futures · 2007 · 23 citations
1–5 of 12
17
2
h-index
1
h-index
1
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1
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1–5 of 17
8

Cornell University
Ithaca, United States
2 h-index
4 publications
78 citations
City University of New York
New York, United States
1 h-index
1 publications
10 citations
Pratt Institute
Brooklyn, United States
1 h-index
3 publications
54 citations

London South Bank University
London, United Kingdom
1 h-index
3 publications
54 citations

Hunter College
New York, United States
1 h-index
1 publications
10 citations
Royal College of Art
London, United Kingdom
1 h-index
3 publications
54 citations
University of Washington
Seattle, United States
1 h-index
1 publications
23 citations
Aalborg University
Aalborg, Denmark
1 h-index
1 publications
12 citations
1–8 of 8
2 publications · 30 citations
2
h-index
1 publications · 23 citations
1
h-index
Repository · 1 publications · 26 citations
1
h-index
Conference · 1 publications · 16 citations
1
h-index
1 publications · 13 citations
1
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1–5