Electronic Aesthetics

Electronic Aesthetics is a theoretical construct within the field of Expanded Cinema that articulates the sensory, formal, and experiential principles governing the integration of electronic technologies—such as video, digital processing, and real-time computation—into cinematic practice, thereby distinguishing itself from traditional film aesthetics through its emphasis on interactivity, technological mediation, and non-linear temporality.

12

Publications

273

Citations

17

Authors

8

Institutions

Publications per year

2017–2026

3

Authors

17

  1. JP
    Jonathan P. Bowen

    A. Alikhanyan National Laboratory, Armenia

    2 publications · 30 citations

    2

    h-index

  2. AJ
    Aymar Jean Christian

    Northwestern University, United States

    1 publications · 25 citations

    1

    h-index

  3. NL
    Nick Lambert

    Aalborg University, Denmark

    1 publications · 12 citations

    1

    h-index

  4. CL
    Carolyn L. Kane

    New York University, United States

    1 publications · 10 citations

    1

    h-index

  5. JW
    Jonathan Weinel

    London South Bank University, United Kingdom

    1 publications · 12 citations

    1

    h-index

1–5 of 17

Venues

  1. Electronic workshops in computing

    2 publications · 30 citations

    2

    h-index

  2. Futures

    1 publications · 23 citations

    1

    h-index

  3. Research Open (London South Bank University)

    Repository · 1 publications · 26 citations

    1

    h-index

  4. CHI Conference on Human Factors in Computing Systems

    Conference · 1 publications · 16 citations

    1

    h-index

  5. Art Journal

    1 publications · 13 citations

    1

    h-index

1–5